Sunday, January 30, 2011

Weekend TV: Life 1.11

Crews tracks down Kyle Hollis, the man who killed the Sebolds, while Reese and Bobby have to track down a missing murder weapon.



The idea behind a noir protagonist is to understand how someone can choose to transgress generally accepted legal, moral or ethical boundaries. One of the types of noir protagonists is the hero forced to act like a criminal who finds the darkness in himself, much like our Charlie Crews. Charlie has seen most of the darkness within himself and is in a type of recovery, using buddhism as a tool. But every once in a while, the darkness appears again, as these posts have attempted to illustrate.

In this final episode of the first season, as Crews moves deeper into the mystery of the Bank of LA, there is, as you might expect, greater drama, and thus, integral as it is to Charlie's character, more gazing into the darkness. I may not get all the appropriate clips from this episode, but these are representative of what we're talking about:

Charlie rejects buddhism


Charlie kidnaps and tortures Hollis




Charlie defends himself with deadly force

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